Top 10 Director/Actor Duos

20 03 2010

Since Alice in Wonderland and Shutter Island were both released recently, it seemed like an appropriate time to put this list together.  Let me know what I missed in the comments section!

1) Werner Herzog & Kluas Kinski

Fitzcarraldo and Aguirre: The Wrath of God are two of my personal all-time favorites, and their Nosferatu remake is one of my favorite horror films.  Their two other projects, Woyzeck and Cobra Verde, are also great.  Their collaborations are all the more interesting considering how animosity-filled they were.  The two claimed to completely hate one another yet were also “best friends.”  Herzog actually pointed a loaded gun at Kinski once, and even considered taking a local tribe up on their offer to murder the crazy actor.  Kinski would often go on screaming rampages on set and even fired a gun in the direction of Herzog’s tent  in the middle of the night,  shooting the finger off an extra (See Herzog’s documentary My Best Friend for more details).  But despite how incompatible they may seem, the pair managed to create 5 amazing and innovative films that makes them, in my mind, the greatest director/actor duo.

2) Martin Scorsese & Robert DeNiro

Mean Streets, Taxi Driver, New York New York, Raging Bull, The King of Comedy, Goodfellas, Cape Fear, and Casino.  That list of films pretty much speaks for itself, as most of them are classics.  Taxi Driver will probably go down as the greatest film portrait of insanity, while Raging Bull will probably be remembered as one of the greatest “sports” films ever. 

3) Akira Kurosawa & Toshiro Mifune

– These two collaborated on a whopping 16 films together over a 17 year stretch.  Their most notable films are all masterpieces: Rashomon, Seven Samurai, Yojimbo, and the Shakespeare adaptation Throne of Blood

4) Alfred Hitchcock & Jimmy Stewart

– Hitchcock went back and forth between Cary Grant and Jimmy Stewart.  Grant starred in a few greats like North By Northwest and Notorious, but Stewart starred in Rear Window, Rope (the original Russian Ark), and an all-time favorite: Vertigo.

5) Martin Scorsese & Leonardo DiCaprio

– They’re 4 for 4 so far.  Gangs of New York, The Aviator, and The Departed have all ended up on many best of the decade lists, and 2010’s Shutter Island was pretty damn good too.

6) Woody Allen & Diane Keaton

– Woody Allen’s had a few lasting relationships with great actresses, but his collaborations with Diane Keaton were by far the best.  They worked together on Play it Again Sam, Sleeper, Love and Death, Interiors, Radio Days, Manhattan Murder Mystery, and arguably Woody’s two best films: Annie Hall and Manhattan.

7) Wong Kar-Wai & Tony Leung

2046, In the Mood for Love, and Chungking Express are all incredible films.  The two also made Ashes of Time together, which was recently re-released.

8 ) Frederico Fellini & Giuletta Masina

– Fellini and his wife Giuletta Masina made some of the most charming and whimsical films together, such as La Strada, Nights of Cabiria, and Juliet of the Spirits.

9) George Roy Hill & Paul Newman

– Their 3 collaborations together are all classics: Butch Cassidy and the Sundance Kid, The Sting, and of course, Slap Shot. 

10) Tim Burton & Johnny Depp

– Though much of their recent work has been tiresome and actually pretty annoying, there’s no way to ignore their wonderful early collaborations such as Ed Wood, Edward Scissorhands, and Sleepy Hollow.





Nine

16 01 2010

Starring Daniel Day-Lewis, Marion Cotillard, Judi Dench, Penelope Cruz, Sophia Loren, Kate Hudson, Fergie, and Nicole Kidman.

Nine is the film adaptation of the Broadway musical which was based on Frederico Fellini’s masterpiece 8 1/2.  So to clear up any confusion, this is technically not a remake, even if it kind of feels like one.  The story follows Guido, a popular and well respected director who’s struggling with the production of his latest film as well as the many women in his life.  This story worked in 8 1/2 because Fellini was able to intertwine reality with dreams, fantasies, flashbacks, etc., so the viewer got a close but surreal look into Guido’s mind.  With Nine, everything’s done by the numbers, the story and the music both begin to feel redundant after about 30 minutes, and it all amounts to an epic waste of talent.

Daniel Day-Lewis is one of my favorite actors, and yet even my own bias towards anything he’s involved with won’t stop me from chalking this up as one of the biggest disappointments of 2009.  Probably should have seen it coming, seeing that I consider Rob Marshall to be probably the 2nd best (Ron Howard’s all over this one) example of an utterly mediocre and overrated Hollywood director.  The performances are all flashy and fun, the costumes are great and even a few of the musical numbers were nice, but it never gets much deeper than that.

RATING:  5/10